That Drifting Poo Was Way Too Meaningful! These Are the TV Letdowns of the Past Year.

As we reflect on the TV landscape of the past year, a handful of shows emerge not for their brilliance, but for their notable failures. Ranging from awkward spin-offs to bafflingly bad documentaries, here are the productions that left us scratching our heads or just reaching for the remote.

The 'Sex and the City' Sequel

How to start with this love/hate spin-off? Plagued with dreadful scripts, painful arcs (we demand better for Miranda!), and a paltry 71 seconds of beloved Samantha, the series struggled to find its footing. Briefly, as the third season began, it looked like it had finally found its groove. Then arrived an installment centered on Seema’s natural deodorant. Little surprise the creator announced this would be the final series. It ended on a bum note; the closeup of Miranda’s loo flooded with poo was just way too on-the-nose. Still, viewers certainly had a hoot dissecting every single “what on earth?” episode. And as Carrie – a single woman once more – twirled around her sprawling townhouse to Barry White, who couldn't let out a small sob?

The Kim Kardashian Drama

‘Can Kim Kardashian act? The answer is a resounding no.’

But that was practically the least of this drama's problems. The subject of a exceedingly uncommon zero star review, it was difficult to know where to start enumerating the problems. The hilariously leaden writing? The mind-numbing veneration of affluence and consumption? The seemingly deliberate procession of cliches? Performances so bad they felt almost malicious? Suffice it to say “all of the above” and forget about this series again. Except, a new season has been ordered, so we’re likely going to have to.

AKA Charlie Sheen

Considering the legal troubles, abuse allegations and parental failures, it’s reasonable to say Charlie Sheen has been a bad boy. Not you’d really have gleaned it from this multi-part documentary which chuckled along at Sheen’s various episodes of self-destructive excess while failing to tell us anything we weren't already aware of. Instead, it felt as if this volatile personality was being indulged, so any pity this show might induce should be saved for the people who have had to endure proximity with this charming but flippant narcissist.

The Supercomputer Drama

Naturally we knew it was ridiculous from the outset: a drama about a AI known as Charlie Big Potatoes that could either solve global crises – or annihilate all of humanity. We stuck with it out of pure love for its leads … but by the end, it felt like even they had given up trying. One barely reacted when his character died, and the other ultimately hacking Charlie with an axe … in super slow-motion. That's what you call giving up the ghost.

MobLand

Dodgy figures convening in empty boxing gyms? The Prodigy’s Firestarter blaring in club scenes? The late 90s called and wants its gangland drama back.

Actually, that is unfair on the crime shows of the late 90s. Many seem a little old-fashioned now, but at least they didn’t suffer the embarrassment of having to indulge baffling dialects. But there were plenty of other problems. Primarily that it was just really boring; a conflict over narcotics territory between various London rogues which felt rather simplistic.

The Meghan Markle Series

Considering the extent to which she grinds the gears of certain ostentatiously enraged commentators, it’s almost easy to applaud the Duchess of Sussex’s various forays into quaint lifestyle as deliberate statements. But then you watch them and are forced to concede that in this case, they might have a point. It’s like watching a homeware catalogue animated; a poster for evening drinks with ideas of grandeur; a procession of sleeping dogs, buzzing beehives, Hallmark sayings and forgettable crafting “tips” you’ll forget instantly. All supported by immense, largely undeserved wealth. Ugh.

The Beckham Documentary

There are obviously fascinating things to be discussed about regarding Victoria Beckham and her journey with career, identity, self-worth. But for whatever reason, this three-part series opted not to explore them. Rather, the experience was like reading a marketing catalogue. She obviously has good reason to resent what she describes as her “stern” image. But unfortunately, she failed to do herself any helps with this guarded non-event of a series.

The Inheritance

It should have been the next cultural phenomenon – except even camper, with a famous star as a deceased benefactor and a sharp-tongued personality overseeing her estate. What more could you want? As contestants competed, there was plenty of betrayal and squabbling. But the rules quickly became bewildering: it’s still too complicated to detail what precisely was happening. Even more disappointingly, we only saw brief appearances of the star via filmed videos. The show ended up reeking of a production that was trying way too hard to emulate something way beyond it.

Too Much

How do you follow a show that defined a generation? The pressure was immense for this glitzy romcom about Jessica, a hopeful New Yorker who lands in London with a shattered romance. The star took her biggest role by the horns and was joyous to watch, reveling in Austen levels of romantic notions. But it was all very slick and, paradoxically, was not enough. Plus, the abundance of famous friends involved felt icky.

The Sketch Show Return

Not good enough to be ‘uneven’.

Given the shrewd recruitment of gifted emerging comics, hopes were high. But unhappily, most of it fell flat. A recurring sketch was a single joke milked to a husk but recurring in every episode. One star seemed too willing to slip into a familiar irate mode. The writing room sketches, in contrast, simply inspired the idea that they should probably have stayed in there a while longer.

The Knox Dramatisation

This dramatisation of the story of Amanda Knox was overseen by Amanda Knox and pretty much solely showcased the perspective of Amanda Knox. So, while there undoubtedly is an interesting drama to be made about the tragic 2007 murder, this was not it. The material needed to be treated sensitively. Instead, the series struggled painfully to find the right tone, lumbering from strangely breezy, somewhat stylised farce to ultimately, real-life horror. Complex? Arguably. A complete mess? Very much so.

Prime Target

We admire the lead actor … but did we believe him playing the greatest maths genius in history, a man so smart he’s on the verge of a discovery that could destabilise society? No! This globe-trotting thriller about secret services spying on – and killing off – academics frankly got more farcical by the second. Silliness-by-numbers.

The Bonnie Blue Documentary

This uncritical portrait followed the online personality renowned for sexual escapades as she prepared for her most extreme feat yet. What on earth would possess her? What we craved was way more examination of her actual psyche, plus those of the men in the queue. They could at least have spoken to the legendary mum who appeared to drag her son away from the queue. What we got was horrific shots and zero critical analysis of her notoriety whatsoever. It's staggering to consider, the filmmaker has a teenage daughter too.

Tammy Harding
Tammy Harding

Elara Vance is a tech journalist and software developer with over a decade of experience covering emerging technologies and digital innovations.